hi class trance by avb

22. studioalbum

vol 93 ! incl armin, paul, talla and many more on 3cd !

soul jazz presents a brand new selection of the female voices in reggae.

the fourth album from belgian band intergalactic lovers.

limited to 100

king of trance

summer anthem by sonny fodera

excellent rnb best of vinyl collection with huge all time hits !

the third longplayer from kedr livanskiy.

digipak

new album of quality edits and remixes from dr packer plus bonus cd with a continuous dj-mix.

3xcd disco compilation

limited numbered 5cd

soulful reggae and rocksteady from the late 60s and early 70s.

post punk

offical nature one compilation 2019

dave lee and will fox compile a personal selection of west london breakbeat sounds.

3. album

the martinez brothers in the mix

fabulous hip hop album! digipack

psy- und progressive trance in einem treibenden dj-mix - das ist der echte goa-spirit und das ist auch goa beach vol. 2

complete remastered singles

complete remastered singles

after signing on with gatto frittos mind-melting sound of love international volume 1, were back, we can smell summer and were putting you in the capable hands of festival favourites, washington dcs beautiful swimmers.

support from dj marky, london elektricity, s.p.y, hybrid minds, doc scott, rene lavice plus all the amazing artists that contributed to the project and a whole load more.

a legend is back , incl bonus cd ...! featuring afrika islam, lil wayne, busta rhymes, hardy hard and more!

strut present an exclusive new compilation curated by optimoÕs jd twitch, Ôkreaturen der nachtÕ, bringing together classics, rarities and oddities from germanyÕs original post-punk and diy scene.

vol. 8 ! incl. junior jack and tuber & berger, ante perry & maxim lany, martin eyerer & craig walker, gabriel & castellon, rob kali, veerus

geschmackssichere kompilation mit unbekannten jazz-, soul- und dance-stŸcken der letzten 15 jahre.

ideas call for realisation, realisations turn into habits, habits then quickly turn into traditions, and traditions become an intrinsic part of culture. born at the turn of the new millennium as a symbol of a new era for electronic music, kompakt s longstanding total series returns with its 18th iteration, spreading over two cds the essential of the label s last few months of intense activity and extended breadth of resources, blowing out its 25th birthday candle with the breath of a young, throbbing heart.

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular under the influence series. following on from red greg, paul phillips, james glass, nick the record and sean p itÕs now the turn of one of the scenes most respected live disco acts and renowned djÕs, faze action.

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years with the much-anticipated follow up to backstreet brit funk. volume 2 has been eight years in the making and continues to showcase the best of the genre from the late 70s to early 80s, compiled once again by joey negro.

surgeonÕs new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories. it has the potential to turn anything from a club visit to a train commute into a collision with the otherworldly.

holy goof gehšrt zur neuen generation des bass-house, inspiriert von hip-hop, uk garage, speed garage, dubstep, 4x4 bassline und uk funky. nach eigenen releases auf party like us, tumble audio, four forty und dj zincs lgendŠrem bingo bass-label, legt holy goof nun ein energiegeladenes fabric-mixset mit u.a. 15(!) exclusives vor, das von darkzy, skepsis und zomby bis zu chris lorenzo, my nu leng und eben dj zinc reicht.

in the mid 90s, while playing in bands, max wŸrden started to record ideas on 4-track tapes. amongst other instruments the guitar was his favourite. since then the guitar is a steady constant during his sound production. predominantly he utilizes the intrument in experimental ways: he sticks screws and metal pieces between the strings or let s marbles run down the guitar neck, triggering a feedback, which becomes the foundation of a track. on his album momentum he went beyond the guitar, but he placed the intrument into focus of the production. max creates energyladen and experimental ambient music that always aims for what genre listeners looking for: the ultimate relaxation moment. the tracks are carried by slowly building string-generated sounds. live recordings and complex arrangements find a delicate symbiosis of ambient and strings.

im november 2017 gaben young fathers, bestehend aus alloysious massaquoi, graham >g< hastings und kayus bankole, bereits bekannt, dass sie die arbeit an einem neuen album abgeschlossen haben. das 12-track-album mit dem titel cocoa sugar erscheint am 9. mŠrz 2018 via ninja tune. cocoa sugar wurde im laufe des jahres 2017 geschrieben und im hauptquartier der band aufgenommen ihrem kellerstudio. das album zeigt das trio in neuer klarheit und ist ohne zweifel ihr bisher sicherstes, selbstbewusstestes und vollstŠndigstes statement. es folgt dem 2015 veršffentlichten, aufsehenerregenden werk -white men are black men too-. bereits 2014 erschien das mercury-prize-prŠmierte debŸt dead. cocoa sugar hat, wie alle young fathers releases, eine starke, eigenstŠndige visuelle €sthetik (cover-fotografie von julia noni, kreativ-regie von tom hingston) und wird auf cd, lp und digital erhŠltlich sein. cd im card-sleeve inklusive lyric poster

its that time of year when thoughts turn to lazy afternoons down the beach, early evenings sat watching white isle sunsets and sticky nights of loved-up debauchery. in other words, it s the perfect time to dive into the latest volume in the consistet balearic compilation series. there s naturally much to admire in the now-familiar cafe del mar/cafe mambo style, from the horizontal, flute-laden samba shuffle of the madrigals the ride to the moon and shay lovers exceedingly drowsy black & white, to the warm chords and head-nodding beats of steve cobby s remix of tradewinds by penelope antena, and tropical exuberance of maajos musa paradisa. best of all, though, is mudd s impeccable mix for emma of zee erf s blissful cover of southern freeez, which is one of the most stunning tracks you ll hear all year.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

described wholly accurately by boiler room as one of the best producers and arrangers of disco music to have ever done it, bronx native john morales has more than three decades of hits and over 800 remixes to his credit. this 4th volume of m&m mixes on bbe is without doubt the most ambitious yet, containing gems from barry white, diana ross, level 42, teddy pendergrass and eddie kendricks among others, all woven together with that special, intricate m&m magic. gaining unprecedented access to original multitrack recordings from the vaults of sony and universal records, john has once again upped the ante, going where no dj has gone before. accept no imitations, nobody does remixes quite like john morales. previously unreleased m&m mixes featuring globally renowned artists barry white, diana ross & cher among others.

without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerriÕs dj sets take him all over the world and often find him playing live keys next to his informed selections. heÕs meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration

rezzs involvement in the toronto scene helped grow her gritty style. events like bassmentality and older shows at the legendary guverment helped shape not only rezz, but an era of electronic music producers who became inspired from early dj college tours. mass manipulation is a commentary on how easily our minds can become manipulated by the things we consume in society. we consume heavily through the media, which, in turn, tries to curate our thoughts and dictate how we as humans are supposed to live and behave. this album plays off this idea and invites people to become hypnotized, allowing their brains to be manipulated by my music in the hope they might see things through a new perspective (perhaps an outer world viewpoint) one where everyone is free from the unrealistic expectations planet earth has drawn for them. a world of acceptance and hypnosis.

since jim coles took on the mantle of om unit, the english producer has sought to challenge himself and his audience by going beyond the confines of genres and styles he has so far explored. in the process he has found success by striving for more feeling, for a more human and daring electronic music. this journey continues with ÔselfÕ, colesÕ third album as om unit and a true follow-up to his 2013 debut ÔthreadsÕ.
ÔselfÕ captures coles in a period of growth, change, and experimentation. inspired by personal psychological and emotional healing work, and a vision of the self as an egg Ñ which coles later on discovered is a jungian archetype Ñ the album blends dubwise, bass-heavy music with the space of experimental ambient compositions and the daring imagination of a cold wave science fiction soundtrack.
the first om unit album on colesÕ own cosmic bridge label, ÔselfÕ offers new forms amid familiar touches. stripping away what people might expect, coles deconstructed and reimagined his work so far as a challenge to himself and, in turn, to his fans.

south african house music artist sir lsg debuts his first album, a stunningly crafted piece of art for which he pulled together an impressive collective of international vocalists, musicians and collaborators. titled Ômoving circlesÕ, the longplayer represents the concept of life seen as a journey. it highlights events of love, life, inspiration, sadness and loneliness in one big turn.